By John Spencer Hill
Read or Download A Coleridge Companion: An Introduction to the Major Poems and the Biographia Literaria PDF
Similar genres & styles books
Professor Tom Shippey is better identified for his books 'The street to Middle-earth' and 'J. R. R. Tolkien. writer of the Century'. but they aren't the one contributions of his to Tolkien experiences. through the years, he has written and lectured largely on Tolkien-related subject matters. regrettably, lots of his essays, notwithstanding nonetheless topical, are not any longer on hand.
Frank investigates an intertextual trade among nineteenth-century old disciplines (philology, cosmology, geology, archaeology and evolutionary biology) and the detective fictions of Poe, Dickens, and Doyle. In responding to the writings of figures like Lyell, Darwin and E. B. Taylor, detective fiction initiated a transition from scriptural literalism and a triumphing usual Theology to a naturalistic, secular worldview.
A hundred American Crime Writers beneficial properties dialogue and research of the lives of crime writers and their key works, reading the advancements in American crime writing from the Golden Age to hardboiled detective fiction. This examine is vital to students and a great creation to crime fiction for a person who enjoys this attention-grabbing style.
For greater than 30 years, S. T. Joshi has been a pioneering critic of myth, horror, and supernatural fiction. This new selection of his essays and stories covers the total diversity of peculiar fiction, from Romantic poetry to the paintings of Ambrose Bierce, Ray Bradbury, and Shirley Jackson. rather insightful are Joshi's exams of such modern writers as Ramsey Campbell, Caitlin R.
Additional resources for A Coleridge Companion: An Introduction to the Major Poems and the Biographia Literaria
No longer a simple descriptive idyll, this newly expanded version is dearly an artful construction. Taking the original lines as a point of departure, it develops the image of the harp's music in fanciful analogies and posits a second centre of focus in the poet's memory of past times when he has been receptive, like a kind of human harp, to unbidden thoughts that traversed his 'indolent and passive brain' . Such memories suggest the metaphysical speculation, expressed as a question, that all living things may be merely 'organic Harps' activated by 'one intellectual breeze' that is the soul of each and God of all.
The lines which follow (49-64) constitute a palinode in which 28 A Coleridge Companion metaphysics is rejected in favour of orthodox fideism. Overwhelmed by a conviction of original sin (cf. CL, 1396) and daunted by his wife's reproving eye, he descends timorously and thankfully back to Sara and their pastoral cottage. These closing lines, which Coleridge doubtless intended to be climactic, are felt by most readers to be a decided blot upon the poem. They have been much discussed, and there are two major difficulties associated with them: first, the dramatic function of the poet's wife, and, second, the problem of what precisely is being rejected in these lines, and why.
A long and thoughtful 'Treatise on Method', commissioned originally for the Encyclopaedia MetropoUtana, led to a revised and expanded threevolume edition of The Friend in November 1818; and from December 1818 to March 1819 Coleridge delivered two series of lectures, one on the history of philosophy and another on literature. Never before had he accomplished so much or worked with such sustained energy over so long a period. 3, The Grove (Plate 17), Coleridge had become both a national figure and a national character - 'The Sage of Highgate' , as Thomas Carlyle described him with a mixture of malice and sincere respect, ensconced on the brow of Highgate Hill 'as a kind of Magus, girt in mystery and enigma; his Dodona oak-grove (Mr Gillman's house at Highgate) whispering strange things, uncertain whether oracles or jargon'.
A Coleridge Companion: An Introduction to the Major Poems and the Biographia Literaria by John Spencer Hill