By John Taylor
This booklet is either a sequel to writer John Taylor’s prior quantity Into the center of eu Poetry and anything diversified. it's a sequel simply because this quantity expands upon the bottom of the former publication to incorporate many extra eu poets. it truly is varied in that it really is framed by way of tales during which the writer juxtaposes his own studies regarding ecu poetry or eu poets as he travels via varied international locations the place the poets have lived or worked.
Taylor explores poetry from the Czech Republic, Denmark, Lithuania, Albania, Romania, Turkey, and Portugal, all of that have been lacking within the past collecting, analyzes heady verse written in Galician, and provides a huge poet born within the Chuvash Republic. His travel via eu poetry additionally provides discoveries from international locations whose languages he reads fluently—Italy, Germany (and German-speaking Switzerland), Greece, and France. Taylor’s version is Valery Larbaud, to whom his feedback, with its liveliness and analytical readability, is usually compared.
Readers will take pleasure in a renewed discussion with ecu poetry, specially in an age while translations are infrequently reviewed, found in literary journals, or studied in faculties. This ebook, in addition to Into the guts of eu Poetry, motivates a discussion by way of bringing international poetry out of the really good confines of overseas language departments.
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Extra info for A Little Tour through European Poetry
In her case, one of these is the haunting “Heute ist immer noch” (today still goes on), used by the Mexican artist Frida Kahlo as a dedication on the back of her Self-Portrait in a Velvet Dress (1926). Other unusual subjective and objective facts, such as postcards (once again), enter into The Story of My Voice. This absorbing book speaks of “a lasting pain, yet life continues”—a line that also sums up Weimar and its stream. -A. Cingria (1883–1954) might have said—glides like a dream through shiny metallic industrial areas and then bypasses woody hills east of Lake Zürich, making several stops before reaching the terminus, Hinwil.
Can any kind of coherence indeed be found? Time and again, he is faced with debris, weeds (like nettles), odd objects (tin cans form a leitmotif ), and sometimes his own physical infirmities (on which he gazes with sarcastic self-detachment). These sharp details not only have historical and sociological meaning but also and especially existential significance. “It might be that the whole of existence is being reordered,” he states in “Minor Repair,” and recording the preexistent disorder certainly plays an integral role in his poetic approach.
Much curiosity will be perked by this splendid panoramic view of a landscape that few English and American readers will have thoroughly explored. Impressive are seven pieces by Durs Grünbein (b. 1962), a poet of vast historical range who employs several levels of diction, formal astuteness, associative thinking, literary allusions, and particularly vivid details. But I am already reading beyond the anthology, for Hofmann has produced a much fuller bilingual selection of this important poet’s work, Ashes for Breakfast.
A Little Tour through European Poetry by John Taylor