By R. D. Hall
Truck motive force Cletus McCoy simply wishes something: to come back domestic and retailer his Mama from a destiny worse than demise. yet, in a global crumbling right into a vampire apocalypse, that's more uncomplicated stated than done.
Cletus must truck his method via an rising kingdom of bloodthirsty monsters hell-bent on making him supper.
Guns, guts, and a boy named Sumbitch are our hero's in basic terms hope!
This TPB collects American desert #1-2 besides the unreleased #3.
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Additional info for American Wasteland
Buffy’s brief attraction to Ben the intern is based on her assumption that someone charming and apparently good might be a suitable replacement – Ben is in fact the male aspect of her divine enemy Glory. 15), April is noticed as attractive by Xander, Spike and Willow, but she is simply a machine designed for love; it is a long conversation with the dying April that reminds Buffy that she does not need a lover to be complete. Her use of Spike in Season Six confirms rather than contradicts this insight; her last conversation with Angel in ‘Chosen’, in which she compares herself to cookie dough, not yet ready, reaffirms it.
Many critics and fans have complained that the Spike storyline dominates the latter seasons of Buffy and that this is in some sense a betrayal of the show’s original mission statement – that the turn to interest in the infinitely cool Spike is a betrayal of the geeks and teen outcasts in whom the show originally made us invest our emotions. This is a fallacy. Just as the show gradually demonstrated the inner cool of, say, Xander, so part of Spike’s way to salvation, as for Cordelia’s previously, is acknowledging his own inner vulnerabilities.
Gradually they merge – identity and illusion are crucial to the nature of the series villain. Buffy beats Glory back into Ben, and Giles kills him to save the world, just as Ben was prepared to sacrifice the world to remain incarnate in a small corner of Glory. Buffy’s certainty that the monks wrought their illusion well is something on which, at the end she is prepared to gamble her life, guessing that the created sisterhood between her and Dawn is so solidly built that she can be the blood sacrifice which might save the world.
American Wasteland by R. D. Hall