By J. Gossman
Revered through his friends and highly profitable the world over in his personal time, André Maurois is now infrequently learn. average and conciliatory in every thing, together with his literary sort, he appealed to the informed reader of his time, yet did these very traits hinder him from reaching lasting contrast and influence?
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Extra info for André Maurois (1885–1967): Fortunes and Misfortunes of a Moderate
X. Leroux, 1949), pp. 131–133. Nouvelles directions de la littérature française (Oxford: Clarendon Press, 1967), p. 1. Memoirs 1885–1967, p. 411. Introduction to the French translation of Mrs. Dalloway, reproduced in Virginia Woolf, L’Oeuvre romanesque, 3 vols (Paris: Stock, 1973), vol. 1, pp. 169–173; on Gertrude Stein, see Maurois, Études américaines (New York: Éditions de la Maison Française, 1945), pp. 9–19; Céline, Maurois declared, was “a new writer of great talent,” and the novel, “while not a masterpiece” was “very strange and very original” (cited in New York Times, 22 April 1934).
The social order can be stable only if the relation institution is constant. Every variation in that connection is matched facts by an injustice and every injustice by a disorder. The unwavering care of the true friend of order is to adjust institutions to fact. Disraeli made the Conservative Party a popular party. That was no paradox. 23 Among his own contemporaries, Maurois bears some resemblance to an English counterpart and friend, Harold Nicolson. Like Nicolson, he was deeply liberal in his outlook, and, though he did not have the moderately active diplomatic and political career that, as the son of a successful British career diplomat, Nicolson was able to have, he followed current events no less closely, mixed easily and often with politicians, diplomats and military men, and, like Nicolson, wrote frequently, as we have seen, on current affairs questions in newspapers and magazines.
Dalloway, reproduced in Virginia Woolf, L’Oeuvre romanesque, 3 vols (Paris: Stock, 1973), vol. 1, pp. 169–173; on Gertrude Stein, see Maurois, Études américaines (New York: Éditions de la Maison Française, 1945), pp. 9–19; Céline, Maurois declared, was “a new writer of great talent,” and the novel, “while not a masterpiece” was “very strange and very original” (cited in New York Times, 22 April 1934). André Maurois, The Edwardian Era, trans. Hamish Miles (New York: D. Appleton-Century Company, 1933), pp.
André Maurois (1885–1967): Fortunes and Misfortunes of a Moderate by J. Gossman